{"id":2547,"date":"2022-12-24T21:51:51","date_gmt":"2022-12-24T21:51:51","guid":{"rendered":"https:\/\/africansmartphonefilmfest.com\/African-Smartphone-International-Film-Festival\/?page_id=2547"},"modified":"2022-12-25T21:17:10","modified_gmt":"2022-12-25T21:17:10","slug":"award-winners-asiff2022","status":"publish","type":"post","link":"https:\/\/africansmartphonefilmfest.com\/African-Smartphone-International-Film-Festival\/award-winners-asiff2022\/","title":{"rendered":"AWARD WINNERS ASIFF 2022"},"content":{"rendered":"
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\n \t<\/i> Read Time:<\/span>1 Minute, 56 Second <\/div>\n\n <\/div>\n

Congratulations to all the filmmakers who participated in the just concluded 6th edition of the African Smartphone International Film Festival \u2013 ASIFF 2022. You are all winners.<\/p>\n\n\n\n

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WINNERS<\/h2>\n\n\n\n
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BEST DOCUMENTARY <\/h5>\n\n\n\n

Forever Home<\/a><\/p>\n\n\n\n

Directed by Artsy Solomon<\/p>\n\n\n\n

Kenya<\/p>\n\n\n\n

\n\n\n\n
BEST MICRO-SHORT<\/h5>\n\n\n\n

Hope<\/a><\/p>\n\n\n\n

Directed by Roxanne Wright<\/p>\n\n\n\n

Canada<\/p>\n\n\n\n

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BEST FEATURE FILM <\/h5>\n\n\n\n

iWANT<\/a><\/p>\n\n\n\n

Directed by Oladipo O’Freash<\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

\n\n\n\n
BEST SHORT FILM <\/h5>\n\n\n\n

Flesh and Spirit<\/a><\/p>\n\n\n\n

Directed by Yinusa A. Korede<\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

\n\n\n\n
BEST PRODUCER<\/h5>\n\n\n\n
Pauline Namakwa<\/strong><\/h5>\n\n\n\n
Suki<\/a><\/h5>\n\n\n\n

Kenya<\/p>\n\n\n\n

\n\n\n\n
BEST ACTOR IN A LEADING ROLE ( International )<\/h5>\n\n\n\n
Ryan D’sa<\/strong><\/h5>\n\n\n\n

in The Talk<\/a><\/p>\n\n\n\n

United Arab Emirates<\/p>\n\n\n\n

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BEST NIGERIAN FILM <\/h5>\n\n\n\n
A Lagos Story<\/a><\/h5>\n\n\n\n

Directed by Isaiah Peter-nelson<\/p>\n\n\n\n

Nigeria.<\/p>\n\n\n\n

\n\n\n\n
BEST INTERNATIONAL FILM <\/h5>\n\n\n\n
Carmen <\/a><\/h5>\n\n\n\n

Directed by Daniel G\u00f3mez<\/p>\n\n\n\n

Paraguay.<\/p>\n\n\n\n

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BEST SHORT FILM ( International )<\/h5>\n\n\n\n

bee-roll<\/a><\/p>\n\n\n\n

Directed by Alexandra Guillossou<\/p>\n\n\n\n

United States<\/p>\n\n\n\n

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BEST DIRECTOR <\/h5>\n\n\n\n
EL HOUSSINE HNINE<\/h5>\n\n\n\n

CHARTER<\/a><\/p>\n\n\n\n

Morocco <\/p>\n\n\n\n

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BEST FIRST-TIME FILMMAKER<\/h5>\n\n\n\n
Morounfoluwa Deborah Ajayi<\/strong><\/h5>\n\n\n\n

Is this how <\/a><\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

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NEXT RATED MALE FILMMAKER<\/h5>\n\n\n\n
\u00a0Isaiah Peter-Nelson<\/strong><\/h5>\n\n\n\n

Director: A Lagos Stor<\/a>y & The Mouse<\/a><\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

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NEXT RATED FEMALE FILMMAKER<\/h5>\n\n\n\n
Hind Moumou<\/strong><\/h5>\n\n\n\n

Director: The Unstamped<\/a><\/p>\n\n\n\n

Morocco<\/p>\n\n\n\n

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<\/div>\n\n\n\n
BEST ARTISTIC STORYTELLING<\/h5>\n\n\n\n

The Unstamped<\/a><\/p>\n\n\n\n

Directed by Hind Moumou<\/p>\n\n\n\n

Morocco<\/p>\n\n\n\n

\n\n\n\n
BEST CINEMATOGRAPHY<\/h5>\n\n\n\n
By Diego Vargas Nasser<\/strong><\/h5>\n\n\n\n

Time<\/a><\/p>\n\n\n\n

Mexico<\/p>\n\n\n\n

\n\n\n\n
BEST ORIGINAL SOUNDTRACK<\/h5>\n\n\n\n
By Mart\u00edn de Lemos<\/strong><\/h5>\n\n\n\n

In Carmen <\/a><\/p>\n\n\n\n

Paraguay<\/p>\n\n\n\n

\n\n\n\n
<\/div>\n\n\n\n
BEST PRODUCTION DESIGN <\/h5>\n\n\n\n

For A Pitiful Shot<\/a><\/p>\n\n\n\n

Directed by Laura Felices<\/p>\n\n\n\n

Spain<\/p>\n\n\n\n

\n\n\n\n
BEST NARRATIVE SHORT ( International ) <\/h5>\n\n\n\n
The Unseen<\/a><\/h5>\n\n\n\n

Directed by Tom Major<\/p>\n\n\n\n

United Kingdom<\/p>\n\n\n\n

\n\n\n\n
BEST MUSIC VIDEO <\/h5>\n\n\n\n
E Ma Tori Mi<\/a><\/h5>\n\n\n\n

Directed by Akintunde Smith<\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

\n\n\n\n
BEST SCREENPLAY ( International ) <\/h5>\n\n\n\n
Maybe it’s the Apocalypse<\/a><\/h5>\n\n\n\n
By Diana Lanham<\/strong><\/h5>\n\n\n\n

United States<\/p>\n\n\n\n

\n\n\n\n
BEST EDITING ( International ) <\/h5>\n\n\n\n

From belly to another<\/a><\/p>\n\n\n\n

Directed by Ana\u00efs Peleyrol<\/p>\n\n\n\n

France<\/p>\n\n\n\n

\n\n\n\n
BEST ACTRESS IN A LEADING ROLE<\/h5>\n\n\n\n
Uche Obunse<\/strong><\/h5>\n\n\n\n

Flesh and spirit <\/a><\/p>\n\n\n\n

Nigeria<\/p>\n\n\n\n

\n\n\n\n

HONORABLE MENTION<\/h2>\n\n\n\n
\n\n\n\n

Date’s Harvest<\/a><\/h5>\n\n\n\n

Directed by Noory Taha<\/p>\n\n\n\n

Sudan<\/p>\n\n\n\n

<\/div>\n\n\n\n
Winechester<\/a><\/h5>\n\n\n\n

Directed by Vittorio Cova<\/p>\n\n\n\n

United States<\/p>\n\n\n\n

<\/div>\n\n\n\n
Watching<\/a><\/h5>\n\n\n\n

Directed by Indianna Thompson<\/p>\n\n\n\n

Australia<\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/h5>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n
The First Wave<\/a><\/h5>\n\n\n\n

Directed by Jimmy Gannon<\/p>\n\n\n\n

Australia<\/p>\n\n\n\n

<\/div>\n\n\n\n
The Vlogger’s Nightmare<\/a><\/h5>\n\n\n\n

Directed by Maria Brenda Acopiado<\/p>\n\n\n\n

United States<\/p>\n\n\n\n

<\/div>\n\n\n\n
The Left out Rights<\/a><\/h5>\n\n\n\n

Directed by James Karanja Wangui<\/p>\n\n\n\n

Kenya<\/p>\n\n\n\n

<\/div>\n\n\n\n
Hoods Off<\/a><\/h5>\n\n\n\n

Directed by Natasha Gilmore, St Albert’s Primary School<\/p>\n\n\n\n

United Kingdom<\/p>\n\n\n\n

<\/div>\n\n\n\n
Mental health for all: a priority <\/a><\/h5>\n\n\n\n

Directed by Rasheedat Balogun<\/p>\n\n\n\n

Nigeria.<\/p>\n\n\n\n

<\/div>\n\n\n\n
Vengeful 45<\/a><\/h5>\n\n\n\n

Directed by Mina Gamal Hanin<\/p>\n\n\n\n

Egypt<\/p>\n\n\n\n

<\/div>\n\n\n\n
Coffee, Community, Culture<\/a><\/h5>\n\n\n\n

Directed by Kerry French<\/p>\n\n\n\n

United States<\/p>\n\n\n\n

<\/div>\n\n\n\n
Eli Nazik<\/a><\/h5>\n\n\n\n

Directed by Mehmet T\u0131\u011fl\u0131<\/p>\n\n\n\n

Turkey<\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n
From belly to another<\/a><\/h5>\n\n\n\n

Directed by Ana\u00efs Peleyrol<\/p>\n\n\n\n

France<\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n

Stranger Has Disconnected<\/a><\/p>\n\n\n\n

Gleb Spiridonov, Roman Kiselev<\/p>\n\n\n\n

Belarus<\/p>\n\n\n\n

<\/div>\n\n\n\n

Directed by Graham High<\/p>\n\n\n\n

ZER0 0NE ZER0<\/a><\/p>\n\n\n\n

United States<\/p>\n\n\n\n

<\/p>\n

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